Art of the Title is “the definitive industry publication for title sequence design and an educational resource, spanning the film, television, conference, and video game industries.” They are looking for contributors to “write about title sequences in film, TV, and beyond.” They pay $200 to $300 per piece. For details, read this Twitter post. You can contact them here.
British Cinematographer is a print and digital magazine that covers the art and craft of international cinematography. They publish 6 times a year. They “focus on the art and craft of cinematographers, and the technologies they use during production and post production.” According to one payment report, they paid $300 for a reported story. To contact them, visit this page.
Film Quarterly publishes articles, reviews, and interviews about “all aspects of film history, film theory, and the impact of film, video, and television on culture and society." They pay $50 for articles (of 1,000 words or less) for the Quorum section of their website. For details, refer to this page.
Freelance Video Collective is a “UK network for film, TV and video production jobs.” They are looking for freelancers (with a background in film and TV) to write guest posts for their video production blog. They want articles of 800 to 900 words. They pay £60 per article. To learn more, visit this page.
Luma is an online quarterly publication about independent film and media art. It is published by the Calgary Society of Independent Filmmakers and EMMEDIA Gallery & Production Society. They publish “critical essays, news, reviews, event previews, interviews, reflections, and photo/video essays about culturally relevant productions, events and ideas.” They pay successful contributors an honorarium of $200 per submission. To learn more, visit this page.
Crooked Marquee is a movie website. They entertain, inform, and empower their readers by providing them with amusing insights and unique perspectives regarding the industry. They want writers who are based in the U.S. and have a U.S. bank account. Their pay starts at $50 per piece. To learn more, read their writers guidelines.
Offscreen is a monthly online film journal that features essays, interviews, reviews and festival reports. They frequently produce special thematic issues. They want reviews and festival reports of at least 1,000 words and essays of at least 2,000 words. They pay up to $150 (Canadian dollars). To learn more, read their contributor guidelines.
Offscreen is a monthly online film journal that features essays, interviews, reviews and festival reports. They frequently produce special thematic issues. They want reviews and festival reports of at least 1,000 words and essays of at least 2,000 words. They pay up to $150 (Canadian dollars). To learn more, read their contributor guidelines.
Little White Lies is a London-based bi-monthly film magazine that is “committed to championing great movies and the talented people who make them.” The magazine keeps film lovers entertained by featuring progressive writing, illustrations and photography. Payment reports suggest that they pay up to $0.11 per word. To learn more, refer to this page.
Cineaste offers social, political and aesthetic perspective on cinema. Book reviews should deal with newly published books (or up to two years old), and may be single-book or multiple-book reviews. They encourage review-essays in which the discussion serves as a vehicle for a broader treatment of ideas or issues, and individual book reviews should be 1,000-1,500 words. They also publish feature articles, interviews, film reviews, DVD and Blu-Ray reviews, and columns. Pay is $18 for Short Take reviews, $36 for book or DVD reviews (in the case of book or DVD reviews posted on their website as Web Exclusives, no cash payment is offered), $45 for film reviews and short articles, columns, sidebar interviews, or essays, and $90 for feature articles or interviews. Details here.